000			01317cam a2200157 4500500
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041			_afre
042			_adc
100	1	0	_aSorignet, Pierre-Emmanuel _eauthor
245	0	0	_a“If I Stop Dancing, I Lose Everything”
260			_c2016.
500			_a76
520			_aThis paper draws on a long-term ethnographical survey with contemporary dancers, focusing particularly on repeat interviews with respondents, in some cases over about fifteen years; in other cases, various members of the dancers’ circle of acquaintances (parents, spouses, siblings, close friends) were interviewed. The paper considers the social conditions of possibility in the artistic calling of contemporary dancers of working-class origin. We examine the resources which underlie atypical social trajectories of mobility—all the more fragile for being reversible. We look in detail at the effects of ascending mobility on the evolution of relationships with the immediate family and close friends. We extend the analysis by considering the forms of politicization engendered by taking a job to which cultural capital is so central.
786	0		_nPolitix | o  114 | 2 | 2016-09-22 | p. 121-148 | 0295-2319
856	4	1	_uhttps://shs.cairn.info/journal-politix-2016-2-page-121?lang=en&redirect-ssocas=7080
999			_c533615 _d533615