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Construction is a preliminary task, as Freud points out, who regards the analysand and analyst as being involved methodologically, as the case of Rosa presented by Sabina Lambertucci-Mann seems to show forcefully. In the clinical case of Rosa, construction e-vokes, by means of a photo, a feeling that pro-vokes the presence of her mother, who had finally existed and, consequently, had disappeared. Construction allows the patient to dramatize speech, which becomes the desire for her representation. Construction may thus be considered as a function of anaclisis to unblock and revive distortion and to facilitate the hypothesis of the interpretation.