Archetypes and profiles of the “immodest ballerina” on the stage (Italy, sixteenth–seventeenth century) (notice n° 702793)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01579cam a2200253 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250121213814.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Nordera, Marina |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Archetypes and profiles of the “immodest ballerina” on the stage (Italy, sixteenth–seventeenth century) |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2023.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 75 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article sketches the archetypes and various figures of the ballerina who embodied, in literary works and on the stage, the deep cultural tensions awakened by women dancing in public in Italy in the sixteenth and seventeenth centuries. The analysis explores the gap between the normative image described in the manuals written by dancing masters and the figures of the ballerina that emerge from other sources, including from the controversy of theatre. Combining dance studies and gender studies, this work looks at the corporeality, the movement, and the expressive and seductive power of the female dancing body displayed in public, in order to understand the relationship between the physical effect on spectators and the cultural representations those spectators inherit and transmit. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Female Dancer |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Reception |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Dancing Body |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Moral Judgment |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Female Dancer |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Reception |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Dancing Body |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Moral Judgment |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Dix-septième siècle | o 298 | 1 | 2023-01-20 | p. 45-57 | 0012-4273 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-dix-septieme-siecle-2023-1-page-45?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-dix-septieme-siecle-2023-1-page-45?lang=en&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux