Ce qui insiste dans l'acte de danse (notice n° 270795)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03827cam a2200361 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112080406.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Mauri, Colette |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Ce qui insiste dans l'acte de danse |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2010.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 95 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | RésuméLa danse performative contemporaine recherche une qualité de présence à travers le processus expérimental qui la fonde et qu’elle met à l’œuvre à travers l’improvisation. À partir de l’aléatoire, de la vacuité, du discontinu, elle instaure une démarche d’expérimentations pour faire apparaître de l’extra-ordinaire et viser ainsi l’indéterminé. C’est un traçage instantané qui s’opère par l’improvisation et, inversement, par la répétition. La persistance des procédés d’expérimentation s’inscrit dans la recherche d’un renouvellement permanent. Le geste dansé est singulier d’énonciation déjouant la fixation et la fixité du code acquis qui fait censure. Il fait acte pour le sujet. Mais quelle transmission est possible en dehors de celle des processus ? Une transmission par transmutation. Ainsi, dans une liberté qui ne trahit pas son fondement, la danse performative permet de se saisir de soi-même dans l’acte du sujet qui s’adresse à l’autre. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Performing contemporary dance seeks a quality of presence through the experimental process which founds it and which is implemented through improvisation. From randomness, vacuity, discontinuity, dance introduces a process of experimentations in order to allow the emergence of the extra-ordinary and in that way target the indeterminate. It is an instantaneous tracing, which takes place by improvisation and, conversely, by repetition. The persistance of the experimentation processes is in line with the pursuit of permanent renewal. The danced movement is singular of enunciation evading the fixation and fixity of the acquired censuring code. But which transmission is possible aside from the processes one ? A transmission by transmutation. In this way, in a freedom that does not betray its foundation, performing dance enables one to take hold of oneself through the act of the subject addressing the other. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | ResumenLa danza performativa contemporánea busca una cualidad de presencia a través del proceso experimental que la funda y que ella pone en marcha a través de la improvisación. A partir de lo aleatorio, de la vacuidad, de lo discontinuo, instaura una marcha de experiencias para hacer aparecer lo extra-ordinario y aspirar así a lo indeterminado. Es un trazado instantáneo que se produce a raíz de la improvisación e, inversamente, por la repetición. La persistencia de los procesos de experimentación se inscribe en la búsqueda de una renovación permanente. El gesto danzado es singular de enunciación desbaratando la fijación y la fijeza del código adquirido que hace censura. Pero, qué transmisión es posible más allá de aquella de los procesos ? Una transmisión por transmutación. Así, en una libertad que no traiciona su fundamento, la danza performativa permite captarse a sí mismo en el acto del sujeto que se dirige al otro. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transmutation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transmission |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | énonciation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | acte du sujet |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | performance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | inconscient |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | danse contemporaine |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | improvisation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transmutation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transmission |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | improvisation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | enunciation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | act of the subject |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | performing contemporary dance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | unconscious |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Insistance | 4 | 1 | 2010-11-29 | p. 67-74 | 1778-7807 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-insistance-2010-1-page-67?lang=fr">https://shs.cairn.info/revue-insistance-2010-1-page-67?lang=fr</a> |
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