Copyright Economics. 3. Television (notice n° 152729)
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| fixed length control field | 02136cam a2200169 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112030617.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Benhamou, Françoise |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Copyright Economics. 3. Television |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2007.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 6 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The essay explores the retribution of television writers and film makers. It first examines royalty flows, which transit either directly from producers to writers or indirectly via collective fee gathering and management agencies. The essay goes on to assess the remuneration of writers, particularly as it proceeds from application of the Intellectual Property Code in the audiovisual field. While the study concentrates on fiction-writing, its authors have collected a stock of data on documentaries, which they will gladly supply to anyone interested. The essay is based on the gathering and processing of first-hand data found in copyright-ceding contracts deposited with the Public Registry of Cinematography and Audiovisual Media (R pca) over three periods – 1995-1996, 2000-2001 and 2003-2004. The data are a valuable new asset in ascertaining the remuneration of television writers. A comparison of the fees negotiated prior to broadcasting (either flat sums or graduated amounts) with what is paid afterwards (disbursed by the Sacd) gives an idea of the volume of money involved, as well as its distribution among writers and categories of writer. The findings and conclusions include the system’s poor transparency, the tendency towards flat-rate fees, and the low level of average reward, at a time when the supply of programmes is expanding, their cost is constantly growing and new media types and broadcasting opportunities are becoming available. The essay’s authors are led to wonder about the efficacy of a system supposed to protect writers and favour open dealing, but which still falls a long way short of these goals. |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Peltier, Stéphanie |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Culture études | o 6 | 6 | 2007-12-20 | p. 1-24 | 1959-691X |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-culture-etudes-2007-6-page-1?lang=en">https://shs.cairn.info/journal-culture-etudes-2007-6-page-1?lang=en</a> |
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